{"id":42247,"date":"2021-11-14T09:16:01","date_gmt":"2021-11-14T09:16:01","guid":{"rendered":"https:\/\/nailknowledge.org\/?p=42247"},"modified":"2021-11-14T09:16:02","modified_gmt":"2021-11-14T09:16:02","slug":"la-estructura-de-las-superposiciones-y-mejoras","status":"publish","type":"post","link":"https:\/\/nailknowledge.org\/es\/blog\/the-structure-of-overlays-and-enhancements","title":{"rendered":"Estructura de las superposiciones y mejoras"},"content":{"rendered":"

Hubo un tiempo en el que aprender la estructura de las superposiciones y los realces era el centro de la formaci\u00f3n de los principiantes. Hoy en d\u00eda, no parece ser tan importante y casi nunca lo es para las usuarias de esmaltes de gel UV. Adem\u00e1s, hay tantas formas diferentes de realces que muchos se decantan m\u00e1s por la apariencia de la forma que por entender la estructura m\u00e1s s\u00f3lida.<\/p>\n\n\n\n

Es hora de una peque\u00f1a revisi\u00f3n.<\/p>\n\n\n\n

Un arco es una estructura muy fuerte, ya que cualquier peso o fuerza que se ejerza sobre \u00e9l se reparte uniformemente por todo su per\u00edmetro. La u\u00f1a natural tiene dos arcos:<\/p>\n\n\n\n

  1. Desde la base hasta el borde libre: el arco superior<\/li>
  2. De una pared lateral a la otra: la curva en \u2018C<\/li><\/ol>\n\n\n\n

    Obviamente, cada persona tiene una configuraci\u00f3n diferente de estos arcos. Creo que todos estaremos de acuerdo en que las u\u00f1as naturales m\u00e1s bonitas son esbeltas y con curvas suaves. Tambi\u00e9n suelen ser las m\u00e1s fuertes. Las u\u00f1as con formas m\u00e1s planas tienen m\u00e1s tendencia a romperse.<\/p>\n\n\n\n

    El punto m\u00e1s alto de estos dos arcos suele estar en el centro de la u\u00f1a y justo detr\u00e1s del hiponiquio. Esto se denomina \u00e1pice o zona de tensi\u00f3n y es lo que confiere a la u\u00f1a la mayor resistencia para soportar la flexi\u00f3n y la rotura.<\/p>\n\n\n\n

    Cuando se crea un realce de aspecto natural, es aqu\u00ed donde se necesita la mayor cantidad de producto para proporcionar la estructura m\u00e1s fuerte. Un modelado cuidadoso disimular\u00e1 la zona m\u00e1s gruesa, ya que la superposici\u00f3n se adelgazar\u00e1 en la base y el borde libre y a lo largo de las paredes laterales, creando as\u00ed un suave \u2018arco superior\u2019 y una fuerte curva en \u2018C\u2019.<\/p>\n\n\n\n

    Sin embargo, para formas de clavo m\u00e1s largas y extremas, el v\u00e9rtice fuerte debe estar m\u00e1s atr\u00e1s, hacia la base. Esto act\u00faa como una especie de ancla que soportar\u00e1 las presiones ejercidas sobre el borde libre largo. Pero, incluso con el \u00e1pice ligeramente desplazado, el \u00e1pice natural de la u\u00f1a (como se ha descrito anteriormente) sigue necesitando algo de ayuda para evitar que la u\u00f1a se parta.<\/p>\n\n\n\n

    Con un realce cuidadosamente construido, esto se consigue creando una \u2018espina dorsal\u2019 a lo largo de la u\u00f1a. Una vez m\u00e1s, esto se disimula con una forma precisa. Algunas formas extremas necesitan un \u2018arco superior\u2019 m\u00e1s recto, \u00a1si es que lo tienen! Pero la fuerza sigue siendo necesaria. Por eso es importante comprender los arcos, el \u00e1pice y la colocaci\u00f3n precisa del producto para las diferentes formas.<\/p>\n\n\n\n

    Ha habido una forma popular que es un \u2018estilete\u2019 corto en el que el borde libre es una punta. Para este dise\u00f1o, el \u00e1pice suele colocarse cerca de la base de la u\u00f1a. No es necesario que est\u00e9 ah\u00ed para soportar la longitud pero, si se colocara sobre la \u2018zona de tensi\u00f3n\u2019, crear\u00eda un \u2018arco superior\u2019 que, junto con la punta, \u00a1parecer\u00eda m\u00e1s bien una garra! Sin embargo, esta forma crece r\u00e1pidamente y deja el \u00e1pice grueso en un lugar poco atractivo.<\/p>\n\n\n\n

    En una mejora de aspecto m\u00e1s natural, el crecimiento de la u\u00f1a natural tendr\u00e1 el \u00e1pice sobre el borde libre y desequilibrar\u00e1 la estructura, lo que puede provocar roturas. De ah\u00ed viene el t\u00e9rmino \u2018reequilibrio\u2019 para el mantenimiento de las mejoras. Es necesario reducir el \u00e1pice original y volver a colocarlo donde deber\u00eda estar para equilibrar de nuevo la u\u00f1a.<\/p>\n\n\n\n

    \u2018Los geles UV de tipo \u2019constructor\u2018 que se han hecho muy populares en muchos sistemas de esmalte en gel UV se utilizan para fortalecer la u\u00f1a \u2019construyendo\u2018 una estructura m\u00e1s fuerte. Sin embargo, la estructuraci\u00f3n de la superposici\u00f3n no suele ense\u00f1arse a quienes s\u00f3lo utilizan un esmalte de gel UV. Cabe se\u00f1alar aqu\u00ed que la nueva Norma Nacional Ocupacional para el esmalte de gel UV incluye ahora los productos \u2019constructores\" y su correcta aplicaci\u00f3n y estructuraci\u00f3n.<\/p>\n\n\n\n

    Para concluir, un peque\u00f1o repaso sobre la estructuraci\u00f3n de una superposici\u00f3n o mejora para los cualificados en este servicio y quiz\u00e1s alguna informaci\u00f3n nueva para los que s\u00f3lo se han cualificado en esmalte en gel UV.<\/p>","protected":false},"excerpt":{"rendered":"

    Once upon a time, learning about the structure of overlays and enhancements was at the centre of beginner education. Nowadays, it doesn\u2019t seem to feature as much and hardly ever for UV gel polish users. Plus, there are so many different shapes of enhancements that many favour it is often down to the appearance of […]<\/p>\n","protected":false},"author":26,"featured_media":42248,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[72,92,71],"tags":[],"class_list":{"0":"post-42247","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lp","8":"category-nail-services","9":"category-uv_gel","10":"entry"},"yoast_head":"\nThe Structure of Overlays and Enhancements - NailKnowledge<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nailknowledge.org\/es\/blog\/la-estructura-de-las-superposiciones-y-mejoras\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Structure of Overlays and Enhancements - NailKnowledge\" \/>\n<meta property=\"og:description\" content=\"Once upon a time, learning about the structure of overlays and enhancements was at the centre of beginner education. 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